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- FREE DOWNLOAD BATMAN VS SUPERMAN DAWN OF JUSTICE HOW TO
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Now, personally, I love a bit of deconstruction. "Dawn of Justice" asks: What if Superman were a callous god? What if Batman killed people? What if the fictional world of fantastical heroes that has delighted and inspired kids of all ages for the best part of a century were a thoroughly joyless, miserable, awful place? It pushes to the very edges of the characters and makes fundamental, unthinkable changes. Instead, it's the most expensive "what if?" story ever made.
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I'd argue that this comes with a certain responsibility to make a movie that feels true to the stuff that makes a character definitive, unique, inspirational. The movie version of a character becomes the definitive version for a generation. The movie version of a character is, like it or not, the version that is seared on the public consciousness. More people see the movie, and not only that, they see the movie on billboards and on buses and on lunchboxes. And when they do appear, they enter the public consciousness in a way no comic can. The sheer depth of the comics medium means you can push to the very edges of a character and beyond, making fundamental and unthinkable changes, while the essence of the character remains safe in more conventional titles.įilms are different. Alternative versions that ask questions like, what if Superman landed in Soviet Russia instead of America? What if the Justice League were set in the Wild West? What if Batman lived in the future?
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Different tones, different styles, different eras and, sometimes, radically different alternative versions. This means there is space - no, a necessity - to approach those characters and tell those stories in different ways.
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Loads of comics, loads of creators, loads of stories. The thing about comics, then, is that there are loads of them. (Batman is in more than 10 different comics this month alone.) And comics have been doing so for 75 years or more. Superman and Batman are featured in multiple titles every month. Here's the thing about comics: They come out once a month. It's barely Superman and it for sure ain't Batman. Ultimately, "Dawn of Justice" is ambitious, existential and frequently beautiful, but boy howdy is it hard work. He can't do compelling characters or a plot that makes sense or a joke, but, hey, he sure knows where the volume knob is.
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I'll say one thing for the guy: He knows how to translate a comic book to the screen in a faithful yet consummately cinematic way. That's largely due to Snyder's distinctive, bombastic film-making style. In fairness, the shadow of Christopher Nolan's "Dark Knight" trilogy doesn't fall over "Dawn of Justice" nearly as much as I expected. It also pointedly addresses criticism of previous movies, from the disaster porn of "Man of Steel" to Christian Bale's funny Bat-voice in the "Dark Knight" films. It must set up the "Suicide Squad" and "Justice League" movies, which means there are parts of the film that might make sense in a couple of years (alongside plenty of scenes that may never make sense). There isn't a lot of time for character because the film has so much other business to get through. But again, it's never that clear who he really is or why he does what he does. In the villain stakes, Jesse Eisenberg's jittery Lex Luthor is fun to watch, his entitled Silicon Valley nerd a Zucker punch of a reinvention Gal Gadot and Ben Affleck are Wonder Woman and Batman in "Dawn of Justice". Another new face is Gal Gadot as Wonder Woman, who.well, actually "Dawn of Justice" doesn't tell us who she is, what she cares about, or indeed anything beyond the fact she looks nice in a posh frock. In his first outing as Batman, Ben Affleck is great as a jaded salt-and-pepper dark knight tortured by his misguided obsession with Superman. Amid the devastation is uber-wealthy Bruce Wayne, who decides Superman is too powerful to trust and sets out on a quest to take the alien down. "Dawn of Justice" picks up just before the end of " Man of Steel", in which Superman was drawn into a super scrap that toppled half of the city of Metropolis. It's a barely comprehensible, overstuffed, overly loud, unrelentingly bleak hot mess. Under the singular but divisive vision of director Zack Snyder, "BvS: DoJ" is an extreme and very grown-up vision of the DC universe. There's a lot riding on this movie, which is meant to lay the foundation for DC's answer to the wildly successful Marvel cinematic universe. "Batman v Superman: Dawn of Justice" sees the classic DC Comics characters meet on the big screen for the first time, but they're such dark versions of the beloved superheroes that they're barely super or heroes. Look! Up in the sky! Is it a bird? Is it a plane? No - and it's not Superman either.